Inspiration and thoughts behind the making of  Canticles of Bliss

Legend of Zelda

At a young age I've always been fascinated with video game soundtracks as well as the sounds found on the end of maps or even the main menu. Often during the summer I find myself returning to Legend of Zelda, whether by playing one of the games in the series or by listening to a few favorite tracks. For me, there is a lot of inspiration to be found in these digital worlds. They bring back memories of playing Majora's Mask when I was little, real special places in time for me. I find it's nice to go on a nostalgia trip once and a while, especially when I'm working on a piece of music, as was the case here.

The Music of Others

I've provided a playlist of some songs that really stuck out to me when I was recording this album. A few of these artists get heavy rotation when commuting to and from work, reading, or whenever I'm relaxing at home. It's in these moments that I'm able to find ideas for songs. Picking up on a certain sound in a song that I've never heard before is always a real treat, as well as imagining the artists recording these songs in whatever space they were in at the time. In particular, the works of Hildegard Von Bingen played on electric guitar by Noël Akchoté was what really sparked the idea for making this album. Had I not listened to those recordings I probably wouldn't have made these songs.

The Midwest

My studio space is located out in the country, not too far from Indianapolis. For the most part it can be quiet living out here, the sunsets are nice to look at and sometimes in the morning the fog will show up like something out of a Tarkovsky film. There's lots of open space here, lots of fields, grain silos, old barns, it's a good place to daydream. Late in the evenings the cicadas and insects make a nice drone which is nice to drift off to. Plus the summers here have always been a good time for me to record, it's been that way since I've been making music under my name. A very dear musician from Chicago once told me, "The Midwest is the best."

Canticles of Bliss
by
Wayne Robert Thomas
LP + 11" Lithograph / Digital
06/25/2021

"Initial recordings for 'Canticles Of Bliss' started in October of 2019 at my home studio located just south of Indianapolis. At the start of 2020 I continued recording songs off and on up until late April where I then took a break and then picked up the guitar again in July. By the beginning of August of that year I had everything wrapped up. An additional guitar was added to a track, as well as a mutated brass recording was featured on another. I used an electric guitar for the recordings while utilizing very little effects and a loop station. Quite a lot of the tracks I made ended up not making the cut and a considerable amount of time was then spent listening to a small selection of songs. They were rearranged a few times before I felt they could be finalized.

Although the works of Hildegard Von Bingen were an obvious inspiration in the title of this album, these seven songs aren't necessarily canticles in a religious sense. Nor can I sing that well, but instead have found a voice in the electric guitar which I have often felt to be an extension of my body. A few of these songs here were done in one take, often with a loop station accompanying the main riff. Many of the track titles are references to a place here in the midwest, a fictional map to a video game, or a phrase that really stuck with me. I hope for the listener that these songs will at least resonate with them in some way."
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Composed and recorded by Wayne Robert Thomas with an electric guitar at Stan Mikita's Donuts,
Aurora, Indiana from October 2019 to August 2020
Design, layout and assemblage and christened by Sir Frizzell (zakè)
Mastered and blessed at Schwebung Mastering (Germany) by Stephan Mathieu
Muted trombone by Ron-Robert Thompson on 'Just Be Patient With Me'
Additional guitar by Andrew Bergman on 'Envoi'

"Love abounds in everything"
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© Past Inside the Present
This is PITP-V036 | MMXXI
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PITP.bandcamp.com
pastinsidethepresent.com

Past Inside The Present is thrilled to release a split album titled, 'RÁS' by Wayne Robert Thomas and Isaac Helsen. ‘RÁS’ is derived from a Faroese word, which roughly translates to “a strong current in a narrow passage which links two seas”, mirroring the outcome of Thomas’ & Helsen’s independent arrangements, cultivating a strong bond or link between their compositions.

Wayne Robert Thomas:
'Cantus In Memoriam Mark David Hollis' is a very personal piece that mourns the loss of a very talented human being whose presence will be deeply missed in this world. He's had such a profound influence on me as well as many others and now I feel that his music carries any even greater weight than before when listening to it. This one is for Mark. 'A Grey Morning, Later Lovely Sunshine' was what Alexandra Fyodorovna described the day of July 16, 1918. Unbeknownst to her and the rest of the Russian royal family they were to be brutally murdered late into the night. I felt that this line described perfectly the month of February for me, a month that was full of loss and grief, as it had several overcast days and then sunlight would appear only for something tragic to happen.

Isaac Helsen:
It is often only in hindsight that we are able to fully conceive the spaces we have traversed, notably in those metamorphic shifts of the mind. In looking back, our vision widens and clarifies; the darkness—once so intrusive and internal—is recast. Held against the light, its burden lifts and takes a different shape. The melancholy remains but is buoyed by a new hopefulness, a landscape unfolding, a bright contentment with what is and has been.

Pressing Information
155 gram transparent red vinyl housed in a full color, matte jacket. Full color labels. Records are placed in white paper innersleeves. Shrink-wrapped. Limited to 75 units.
155 gram black vinyl housed in a full color, matte jacket. Full color labels. Records are placed in white paper innersleeves. Shrink-wrapped. Limited to 100 units.

Track 1-2: Composed & recorded by Wayne Robert Thomas at the The Winter Dacha in Fairland, Indiana, February 26-27th of 2019
Track 3: Guitar, piano, tape, and electronics composed and performed by Isaac Helsen. Strings composed and performed by Jeffrey Niemeier. Arranged by Jeffrey Niemeier and Isaac Helsen. Recorded, arranged, and mixed at La Chambre de Rêve by Isaac Helsen in January and February of 2019.
Mastered at Black Knoll Studio (NY) by Rafael Anton Irisarri
Cover photography provided by Isaac Helsen
Layout & LP assemblage by zakè

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© Past Inside the Present
This is PITP-V003 | MMXIX
PITP.bandcamp.com
pastinsidethepresent.com

'To Those Who Dwelt in a Land of Deep Darkness' by zakè is now available at Past Inside the Present’s Bandcamp page.

For many, music and art are invaluable when it comes to coping with dark and trying times. This can be true for both the creators and the consumers. With his latest release, zaké provides a 38-minute, pensive and ultimately healing deep dive into what it means to continue living life in the face of loss and uncertainty. Wayne Robert Thomas joins zaké for a moving addendum that further explores the emotional depths of struggle, perseverance, and growth.

Written to those who dwelt in a land of deep darkness.

Written and produced by zakè
Additional production, sound treatments, and guitars on 'An Addendum' by Wayne Robert Thomas
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© Past Inside the Present
This is PITP31 | MMXIX
PITP.bandcamp.com
www.pastinsidethepresent.com